Monday, August 30, 2010

If I Had A Hammer ~

IF I HAD A HAMMER -

I wonder if those guys who have been hammering in this community for the last couple of weeks have thought of using that for a theme song. They sure do hammer from morning to night. They are a very industrious team and I certainly would recommend them. They take a break at noon - all together - and return promptly. It has been unusually hot for this time of year. Walking around up there without shade, and very little breeze - they are amazing.

I got up this a.m., had flipped my calendar to September, and thought it was Labor Day. Saw a neighbor and said I did not expect the roofers to be here on a holiday. She looked at me in wonder and said, "This isn't a holiday. That's next week." I am sure she thinks I have joined the ranks of the disconnected.

Anyway, back to "If I Had A Hammer.": Pete Seeger and Lee Hays wrote the song in 1949. They were members of "THE WEAVERS" a band which did not succeed. It was brought out again in 1962 by Peter, Paul and Mary. And Trini Lopez recorded it a little later. The song was intended as support for the progressive movement on labor rights. It speaks of using the hammer, the work bell and labor songs, encouraging "the people" to use their tools to speak out for themselves for labor equality. It speaks for collective action by laborers. And then - finally - "I've got a hammer, And I've got a bell, And I've got a song to sing - All over this land.
It's the hammer of justice, It's the bell of freedom, It's the song about love between my brothers and my sistrs - All over this land.

(Political note from me: It was the right thing when the progressives advocated collective "speaking out" - but now those who collectively speak out are considered rabble-rousers by those who set the bar. Hmmmmm -)

If I Had A Hammer is several Hal Leonard EZ Play books, and some of the Fake Book both EZ Play and conventional. Even if you don't like the sentiment - personally I do - the song is fun to play on several different rhythms on the Lowrey Organs and probably on the Roland, or any number of key boards. I HAPPEN TO LOVE MY LOWREY!

Pete Seeger was a really great musician. A product of his time and dedicated to his work, his music always seemed to have a purpose other than just to entertain. It was a serious time, those days when war was terribly unpopular and the emotion was taken out on the brave armies doing what they are trained to do. I would celebrate Mr. Seeger and his talent, the times - they were shameful.

"The times, they are a changin' " - so KEEP A SONG IN YOUR HEART and KEEP THE MUSIC PLAYING.

jem



Sunday, August 22, 2010

One Froggy Evening ~~~~

Did you ever see the cartoon of a corner stone being opened by a man who discovers a small box in which a frog is sleeping. He takes the frog to his office, opens the box and the frog begins to sing and dance "Hello, ma baby! hello, ma honey, hello ma ragtime gal ....? I believe Warner Bros. now owns it and I could not access it on the internet because of copyright claims by them. However, the story goes on - the man puts the frog back in the box and takes it to an agency where, when he gets in to have the frog audition, he carefully puts the frog on the agent's desk. The frog does what all frogs do in strange circumstances: it sits and does nothing. In spite of prodding, the frog does not perform. The disappointed "frogmaster" puts the frog back in the box and takes it away. Once back in the office, he opens the box again and the frog booms out "Hello, my baby --" etc. It really is one of the funnier cartoons, in my opinion, that was ever produced. You never hear the man speak a word, just that darned frog booming out the lyrics and dancing with his top hat and cane, like a vaudeville star.

That song was written around 1899, by a pair of vaudevillians, Joseph Howard and Ida Emerson, and became a huge hit. It was originally about a man who, every day, telephones a girl whom he has never seen and is afraid of losing to someone who lives nearer to her. He eventually learns her name is Bess. "his morning through the hone she said her name was Bess, Here pasted in the lining of my hat.
I am mighty scared 'cause if the wires get crossed,
'Twill separate me from ma baby mine.
Then some other man will win her, and my game is lost.
And so each day I shout along the line :::Hello, ma baby; hello ma honey, hello ma ragtime gal. Send me a kiss by wire,
baby my heart's on fire!
If you refuse me, Honey, you'll lose me, then you'll be left alone. Oh, baby, telephone and tell me I'm your own.
Hello! Hello! Hello! Hello there?

Get out your Hal Leonard catalog and find Hello, Ma Baby and as you play it picture a great green frog with top hat and cane dancing all around your keys. It's bound to make you feel good.

Now, wasn't this a silly topic? No great inspiration to continue your playing, keep your music circle of friends or spread the joy. Just something to help you -------

Keep a song in your heart and keep the music playing.

Jan Major

Monday, August 16, 2010

MUSIC ~

MUSIC - Well, what would expect from in a music blog???

The reason I am generalizing is that I have played for three senior groups in the past week and I am convinced MUSIC is MUSIC to them. Thursday I was a the Truslow Adult Day Care in Saco for the Tuesday/Thursday group. I took a pile fake books with me with no particular program in mind. I began with something lively, probably Ain't We Got Fun. Michel, a multiply handicapped, mentally challenged man got up as usual to dance. Michel dances to everything from God Bless America to The Hawaiian Wedding Song. (And all genres in between!) He is a showman at heart. I played a wide variety of music they could sing along with, or just listen to. Some good old hand-clapping, foot-stomping gospel, a polka or two and as usual, ended with a march. Everyone had smiles on their faces and some asked when I would be back. It doesn't really matter whether I tell them next week or next month, they say "Oh, good."

Friday I returned to Truslow for the Monday/Wednesday/Friday clients. I began with Anazing Grace, went to some sing-alongs and mixed in a little country, a few big band numbers, a polka, and eventually ended with a march. Michel is a full-week client, so again he danced to every number. I could hear some voices behind me catching a few lyrics here and there, and when I left some came to the organ and said they enjoyed the music, and some marvelled a the organ and said it is beautiful. The organ is a Lowrey Century, which when I owned one I believed it to be the beall endall of organs, but is now outdated and less than joyous to play. But the joy is in the response to the music, however limited my ability or the organ's.

Sunday, after a lovely family reunion, I played at the Maine Veterans' HOme in Scarborough.
I go in and set up and begin to play, and as the sounds of the music reach the rooms and he staff makes the rounds to remind clients I am there, the room begins to fill. Usually eight or ten people come in regularly, but others come and go. They are restless. It is referred to as the "residential wing." I think of it as assisted living. I started out with a quiet Swing - I think it was I Left My Heart In SanFrancisco, but moved on into sing-alongs like Mary's A Grand Old Name, Don't Sit Under The Apple Tree - you get the idea. Several of the people there do sing along, especially if I play the song twice. I played Anchors Aweigh for Celia who is a Navy Veteran, and kept the music going until supper time.

Now this sounds like a lot of "I trouble" as I scan through it. I (there I go again) didn't mean it to be about me. This is about the music - any music - all music - which when playing for a group has to appeal to everyone in some way. Toe-tapping, hand-clapping, memory jogging, mirthful, religious, moving emotionally or physically - music is good. I asked John, "Do you like country?" and he replied in his deep solemn voice, "Not especially." But I played Make the World Go Away and he sang most of it. When I left as something mouthwatering was being brought in from the kitchen, every person there said "Thank you. Come back soon."

But if someone else goes in my place one of these days, they will be greeted with the same welcome, and when leaving they will be thanked and urged, "Come back soon."

Music - there is something out there for everyone. Explore, enjoy, and

Keep a song in your heart and keep the music playing.

jem

Monday, August 9, 2010

Come to the Church in the Wildwood

"CHURCH MUSIC" - hymns, psalms, gospel, - a rich and plentiful source of music in America, doesn't get a lot of attention from me. But recently two "church" events have drawn my attention.

In Medway Maine, a small community north of South Woodville, and south of East Millinocket. IF you check you map you will see that this is very far north, and very rural. The census reports there are around 600 households with a total population of less than 1500. This past Sunday Medway celebrated the restoration and reopening of a beautifully classic New England church. The whole community turned out to join in the celebration.

In Standish Village, Maine, another interesting old church opened in 1808 after the demolition of the First Standish Church. In 1848 a second floor was added which became Standish Academy, which closed after a trustee made off with Academy funds. The Old Red Church now is open for tours, baptisms, weddings, at the annual Christmas Fair.

The St. Ann's Episcopal Church in Kennebunkport is right next to the George H.W. Bush summer home. It is a beautiful stone building, open during the summer for Sunday services, and is the scene of many summer weddings and baptisms. And not far from that church, in a small village called Turbot's Creek is a tiny little church in the woods.

I'm certain every old New England community has an old church, which like old schools, are only open in the summer for services. These churches probably had, if they were well supported, an old pump organ or pipe organ with bellows behind the pipes. No doubt their parishes raised their voices in prayerful and hopeful song.

Some of the older hymns which many are familiar with:

A Mighty Fortress is Our God (Martin Luther in the late 1500's)
Abide With Me Old Time Religion
Amazing Grace Onward Christian Soldiers
Blessed Assurance Rock of Ages
Come Thou Almighty King Sweet Hour of Prayer
He Leadeth Me In The Sweet By and By
I Love To Tell The Story In The Garden
Nearer My God To Thee To God Be The Glory
Shall We Gather At The River When We All Get To Heaven

Many of these hymns listed were written/composed in the 1800's and have stood the test of time in today's church services. Of course, as in all things, some newer music is being written, only time will tell if it will endure.

You can probably think of many more. My father used to sing The Old Rugged Cross when we went on our long Sunday mystery rides. And Come To The Church in the Wildwood, which is why I chose that hymn for title today.

If you are interested in some music Hal Leonard puts out Fake Books on both Gospel and Hymn music. ALso, if you Google "Classic Christian Hymns you will find more titles and the availability at Apple Sauce Kids. I did not attempt to download anything, but I believe there are free downloads at that site.

You must have heard the joke about the preacher who, preaching on demon rum, exhorted his parishoners to "dump your liquor into the river - and then announced the next hymn to be "SHALL WE GATHER AT THE RIVER?"

PLEASE - keep a song in your heart and keep the music playing. It's good for you.

jem




Sunday, August 1, 2010

NATIONAL FRIENDSHIP DAY ~~

August 1st is Naitonal Frindship Day, and also National Raspberry Cream Pie Day. I don't think there any songs written about Raspberry Cream Pie (get out your copy books and see what you can do) but there are songs about friendship:

FRIENDS, FRIENDS IN LOW PLACES, FRIEND LIKE ME, FRIENDS WITH YOU, FRIENDLY FELLOW POLKA, FRIENDLY PERSUASION, to name a few.

Friendship is one of the most important parts of our lives. It is really an emotion, I think. You cannot be a friend with out feeling some emotion. Friendship can lead to love, it can provide stability in our lives and make us feel "part of" something.

I am blessed with friends; some from childhood, some from jobs I have held; some recent friends in my music hobby. I hope I am a "good friend" to all of them. I made a "new friend" at the therapy pool last month, and she is coming this afternoon with several of her friends to hear me play some music. I believe one can never have too many friends, and probably should have at least one very close "confidante".

SO, "friendship, friendship, we've a perfect friendship. When other friendships are all forgot - ours will still be hot."

Keep a song in your heart and keep the music playing.

jem

Thursday, July 29, 2010

I've Got The Horse Right Here -----

I am not sure that is the correct title for that song, but it comes from THE STING, and it is a cleverly constructed parody of a better. If you are not familiar with The Sting I highly recommend it. The story line - you might want to watch it twice - is a race track sting, a little complicated, but very entertaining. The music - I never tire of it so sometimes I put the video in and never look at the screen. The movie stars Redford and Newman in equally important roles. But what brings this song to mind?

Well, my grandson is working at the local race track this summer. I never thought he would get hired because he is very young, but apparently as soon as a kid is old enough to step behind the betting line, he is also old enough to sell tickets.I might add, I was not delighted he got the job, although in today's economy I was pleased he was able to get work, and after all, it is only a summer job.

Anyway, back to the connection: The track gave him one jersey with the track logo on it. Now "track people" are not usually heavy drinkers - you can't get sloshed and make sensible bets - but a lot of them are chain smokers. There is an area where smokers can watch the races, but they have to come to the windows to bet, so the reek of smoke permeates the grandstand. As my grandson was pulling his 'uniform shirt' over his head the other day he commented that it smelled - of " smoke and broken dreams."
My fears that he will become a compulsive gambler after his summer at the track have been allayed. I don't know what "broken dreams" smell like, but I am sure it is not pleasant. And I loved the observation.

Another great piece from The Sting is "Easy Winners." It is a catchy tune, not difficult once you feel the rhythm. It is in Hal Leonard Book EZ-310. I am sure I have seen "I Got A Horse Right Here" somewhere, also, but do not find it listed in the Hal Leonard catalog.

This past week two of my organ friends put wheels on the organ at the Maine Veterans' HOme. Now I will be able to roll it from wing to wing (there are four of them) and share my music with more residents. THey also put wheel on the bench, and Brian commented that he hoped I would not have an accident with it. He envisioned me rolling accidentally across the room, I guess. I am not worried about that, but I do hope it doesn't roll away from me as I start to sit. The very thought of me sitting on the floor in front of the organ while the residents sit patiently by waiting for music is not amusing.

If you are an organ owner, are you exploring the buttons? You should be. Today a few of us experimented with lock system on the Holiday Classic which has only two lock features: temp and accompaniment. We discovered by adjusting the mixer to suit us and then locking both buttons, we locked everything except upper right manual. The accomp button will lock the drums which is a big plus in my book. I have a Prestige so I use the lock buttons a lot, but there are four lock buttons on that organ. You can also lock in the various adjustments by setting them where you want and then pressing both up and down buttons at the same time.

Remember when you are just playing for yourself, experiment with the buttons. You own them and you can't hurt the organ no matter how many times you change sounds. Today Brian wanted a better guitar than he could hear on the Holiday Classic Easy 4/4. By putting #2 registration on, and pressing the Latin button, a really great guitar came up. And #1 Latin has a great trumpet.

Trivia from the TOP 500 COUNTDOWN (Hamilton Ontario CKOC)

What song was #188? a. Little Darlin'
"I don't know if we're in a garden, b. In The Still of the Night
Or on a crowded avenue. c. I Only Have Eyes For You d. The Great Pretender
You are here and so am I,
Maybe millions of people go by,
But they all disappear from view ..."

Music affects every part of your brain -

Keep the music playing.

jem






Saturday, July 17, 2010

THE BREEZE AND I ~ ~ ~

WHEW! We are still experience a heat wave, but we exhausted that subject last week.

Interesting things have been happening with the lcoal Lowrey program. John, our new "class leader" is working with us each Thursday morning from 9:30 to 10:00. We have playing time after that. The group is more cohesive and spirits are rising. Maybe not exactly soaring yet, but definitely on the rise. You see, we have been through about three years of uncertainty and some are still skeptical that this good turn is going to last. But, I am very optimistic and look forward to seeing the program not only continue, but thrive. John has a lot he can do with us, given some time to work out the kinks.

Our group is very broad in both capability and length of time in the program. Some like myself have been there for ten plus years; some are relatively new. Not only do we differ in that respect, we also differ in our expectations and purpose. PURPOSE? A HOBBY HAS A PURPOSE? Well, in my mind it does. My "purpose" is to entertain.
I like entertaining myself and I like entertaining others. I am not a stage performer and do not have the skills to "go far" but I love playing for others. And I will play for one for as many as the room will accommodate. At the Veterans' Home there are usually from three to twenty. At the adult day care there are up to 35. Of course, they are a captive audience. Maybe I love it more than they do. I would like better organs in both places, but can still make music on the old Century (once the top of the Lowrey line) and the Premiere, a nice but limited mid-size instrument.

Hot as it was today, only three faithful people came to Stoney Creek for our usual Saturday gathering. I do not have AC and warned people they would be coming at their own heated peril. The fans are humming. We had fruit and coffee cake. There was coffee, of course, but I also made ice tea and lemonade. Thankfully, both will keep and I will enjoy their cooling FX all weekend.

As I write this there is a light breeze moving the tops of the tall pines behind my condo.
Thus, "The Breeze and I"

This song was written by Ernesto Lecuona, an exceptionally talented composer, bandleader, song writer and pioneer in Latin music. He was born in Cuba in 1895, and died in Teneriffe, Canary Is. in 1963. the song, The Breeze and I, was originally a part of "Andalucia" which was part of his "Spanish Suite." It is certainly one of the best known and loved of his compositions, although his "Malaguena (1927) is one of my favorites. A lyricist, Al Stillman, wrote the words which Bob Eberly recorded with Jimmy Dorsey. The words tell are a lament that the singer's love is known only to the breeze. But the music, in my opinion, is so enjoyable that the words don't spoil the mood. To me it is still a "love song" even if it is love unrequited.

Today's home organs bring an orchestra into our living rooms. The small organs have trios, or eight piece bands, but the larger ones have huge orchestras - dance bands, symphonic, marching and all other rhythms from Calypso to Salsa to Waltz. Marvels of modern technology. It just takes a little time and effort to learn your way around your orchestra. You are the leader of your band so you need to get acquainted with your musicians. The Latin trumpet is wonderful for some parts of the "Breeze" and the Pan Flute makes a beautiful change in the bridge. Experiment with it. It's a fun song. Recently I made a couple of very noticeable errors in a trumpet solo part of a piece. When I finished I turned to the room and said, "I am going to fire that trumpeter. She isn't practicing enough." Some people caught the joke and we shared a moment of light humor.

I have talked myself right into closing out this blog, going to my Lowrey Prestige and seeing how many different ways I can play THE BREEZE AND I.

Keep a song in your heart and keep the music playing.

jem