I am not sure that is the correct title for that song, but it comes from THE STING, and it is a cleverly constructed parody of a better. If you are not familiar with The Sting I highly recommend it. The story line - you might want to watch it twice - is a race track sting, a little complicated, but very entertaining. The music - I never tire of it so sometimes I put the video in and never look at the screen. The movie stars Redford and Newman in equally important roles. But what brings this song to mind?
Well, my grandson is working at the local race track this summer. I never thought he would get hired because he is very young, but apparently as soon as a kid is old enough to step behind the betting line, he is also old enough to sell tickets.I might add, I was not delighted he got the job, although in today's economy I was pleased he was able to get work, and after all, it is only a summer job.
Anyway, back to the connection: The track gave him one jersey with the track logo on it. Now "track people" are not usually heavy drinkers - you can't get sloshed and make sensible bets - but a lot of them are chain smokers. There is an area where smokers can watch the races, but they have to come to the windows to bet, so the reek of smoke permeates the grandstand. As my grandson was pulling his 'uniform shirt' over his head the other day he commented that it smelled - of " smoke and broken dreams."
My fears that he will become a compulsive gambler after his summer at the track have been allayed. I don't know what "broken dreams" smell like, but I am sure it is not pleasant. And I loved the observation.
Another great piece from The Sting is "Easy Winners." It is a catchy tune, not difficult once you feel the rhythm. It is in Hal Leonard Book EZ-310. I am sure I have seen "I Got A Horse Right Here" somewhere, also, but do not find it listed in the Hal Leonard catalog.
This past week two of my organ friends put wheels on the organ at the Maine Veterans' HOme. Now I will be able to roll it from wing to wing (there are four of them) and share my music with more residents. THey also put wheel on the bench, and Brian commented that he hoped I would not have an accident with it. He envisioned me rolling accidentally across the room, I guess. I am not worried about that, but I do hope it doesn't roll away from me as I start to sit. The very thought of me sitting on the floor in front of the organ while the residents sit patiently by waiting for music is not amusing.
If you are an organ owner, are you exploring the buttons? You should be. Today a few of us experimented with lock system on the Holiday Classic which has only two lock features: temp and accompaniment. We discovered by adjusting the mixer to suit us and then locking both buttons, we locked everything except upper right manual. The accomp button will lock the drums which is a big plus in my book. I have a Prestige so I use the lock buttons a lot, but there are four lock buttons on that organ. You can also lock in the various adjustments by setting them where you want and then pressing both up and down buttons at the same time.
Remember when you are just playing for yourself, experiment with the buttons. You own them and you can't hurt the organ no matter how many times you change sounds. Today Brian wanted a better guitar than he could hear on the Holiday Classic Easy 4/4. By putting #2 registration on, and pressing the Latin button, a really great guitar came up. And #1 Latin has a great trumpet.
Trivia from the TOP 500 COUNTDOWN (Hamilton Ontario CKOC)
What song was #188? a. Little Darlin'
"I don't know if we're in a garden, b. In The Still of the Night
Or on a crowded avenue. c. I Only Have Eyes For You d. The Great Pretender
You are here and so am I,
Maybe millions of people go by,
But they all disappear from view ..."
Music affects every part of your brain -
Keep the music playing.
jem
Thursday, July 29, 2010
Saturday, July 17, 2010
THE BREEZE AND I ~ ~ ~
WHEW! We are still experience a heat wave, but we exhausted that subject last week.
Interesting things have been happening with the lcoal Lowrey program. John, our new "class leader" is working with us each Thursday morning from 9:30 to 10:00. We have playing time after that. The group is more cohesive and spirits are rising. Maybe not exactly soaring yet, but definitely on the rise. You see, we have been through about three years of uncertainty and some are still skeptical that this good turn is going to last. But, I am very optimistic and look forward to seeing the program not only continue, but thrive. John has a lot he can do with us, given some time to work out the kinks.
Our group is very broad in both capability and length of time in the program. Some like myself have been there for ten plus years; some are relatively new. Not only do we differ in that respect, we also differ in our expectations and purpose. PURPOSE? A HOBBY HAS A PURPOSE? Well, in my mind it does. My "purpose" is to entertain.
I like entertaining myself and I like entertaining others. I am not a stage performer and do not have the skills to "go far" but I love playing for others. And I will play for one for as many as the room will accommodate. At the Veterans' Home there are usually from three to twenty. At the adult day care there are up to 35. Of course, they are a captive audience. Maybe I love it more than they do. I would like better organs in both places, but can still make music on the old Century (once the top of the Lowrey line) and the Premiere, a nice but limited mid-size instrument.
Hot as it was today, only three faithful people came to Stoney Creek for our usual Saturday gathering. I do not have AC and warned people they would be coming at their own heated peril. The fans are humming. We had fruit and coffee cake. There was coffee, of course, but I also made ice tea and lemonade. Thankfully, both will keep and I will enjoy their cooling FX all weekend.
As I write this there is a light breeze moving the tops of the tall pines behind my condo.
Thus, "The Breeze and I"
This song was written by Ernesto Lecuona, an exceptionally talented composer, bandleader, song writer and pioneer in Latin music. He was born in Cuba in 1895, and died in Teneriffe, Canary Is. in 1963. the song, The Breeze and I, was originally a part of "Andalucia" which was part of his "Spanish Suite." It is certainly one of the best known and loved of his compositions, although his "Malaguena (1927) is one of my favorites. A lyricist, Al Stillman, wrote the words which Bob Eberly recorded with Jimmy Dorsey. The words tell are a lament that the singer's love is known only to the breeze. But the music, in my opinion, is so enjoyable that the words don't spoil the mood. To me it is still a "love song" even if it is love unrequited.
Today's home organs bring an orchestra into our living rooms. The small organs have trios, or eight piece bands, but the larger ones have huge orchestras - dance bands, symphonic, marching and all other rhythms from Calypso to Salsa to Waltz. Marvels of modern technology. It just takes a little time and effort to learn your way around your orchestra. You are the leader of your band so you need to get acquainted with your musicians. The Latin trumpet is wonderful for some parts of the "Breeze" and the Pan Flute makes a beautiful change in the bridge. Experiment with it. It's a fun song. Recently I made a couple of very noticeable errors in a trumpet solo part of a piece. When I finished I turned to the room and said, "I am going to fire that trumpeter. She isn't practicing enough." Some people caught the joke and we shared a moment of light humor.
I have talked myself right into closing out this blog, going to my Lowrey Prestige and seeing how many different ways I can play THE BREEZE AND I.
Keep a song in your heart and keep the music playing.
jem
Interesting things have been happening with the lcoal Lowrey program. John, our new "class leader" is working with us each Thursday morning from 9:30 to 10:00. We have playing time after that. The group is more cohesive and spirits are rising. Maybe not exactly soaring yet, but definitely on the rise. You see, we have been through about three years of uncertainty and some are still skeptical that this good turn is going to last. But, I am very optimistic and look forward to seeing the program not only continue, but thrive. John has a lot he can do with us, given some time to work out the kinks.
Our group is very broad in both capability and length of time in the program. Some like myself have been there for ten plus years; some are relatively new. Not only do we differ in that respect, we also differ in our expectations and purpose. PURPOSE? A HOBBY HAS A PURPOSE? Well, in my mind it does. My "purpose" is to entertain.
I like entertaining myself and I like entertaining others. I am not a stage performer and do not have the skills to "go far" but I love playing for others. And I will play for one for as many as the room will accommodate. At the Veterans' Home there are usually from three to twenty. At the adult day care there are up to 35. Of course, they are a captive audience. Maybe I love it more than they do. I would like better organs in both places, but can still make music on the old Century (once the top of the Lowrey line) and the Premiere, a nice but limited mid-size instrument.
Hot as it was today, only three faithful people came to Stoney Creek for our usual Saturday gathering. I do not have AC and warned people they would be coming at their own heated peril. The fans are humming. We had fruit and coffee cake. There was coffee, of course, but I also made ice tea and lemonade. Thankfully, both will keep and I will enjoy their cooling FX all weekend.
As I write this there is a light breeze moving the tops of the tall pines behind my condo.
Thus, "The Breeze and I"
This song was written by Ernesto Lecuona, an exceptionally talented composer, bandleader, song writer and pioneer in Latin music. He was born in Cuba in 1895, and died in Teneriffe, Canary Is. in 1963. the song, The Breeze and I, was originally a part of "Andalucia" which was part of his "Spanish Suite." It is certainly one of the best known and loved of his compositions, although his "Malaguena (1927) is one of my favorites. A lyricist, Al Stillman, wrote the words which Bob Eberly recorded with Jimmy Dorsey. The words tell are a lament that the singer's love is known only to the breeze. But the music, in my opinion, is so enjoyable that the words don't spoil the mood. To me it is still a "love song" even if it is love unrequited.
Today's home organs bring an orchestra into our living rooms. The small organs have trios, or eight piece bands, but the larger ones have huge orchestras - dance bands, symphonic, marching and all other rhythms from Calypso to Salsa to Waltz. Marvels of modern technology. It just takes a little time and effort to learn your way around your orchestra. You are the leader of your band so you need to get acquainted with your musicians. The Latin trumpet is wonderful for some parts of the "Breeze" and the Pan Flute makes a beautiful change in the bridge. Experiment with it. It's a fun song. Recently I made a couple of very noticeable errors in a trumpet solo part of a piece. When I finished I turned to the room and said, "I am going to fire that trumpeter. She isn't practicing enough." Some people caught the joke and we shared a moment of light humor.
I have talked myself right into closing out this blog, going to my Lowrey Prestige and seeing how many different ways I can play THE BREEZE AND I.
Keep a song in your heart and keep the music playing.
jem
Wednesday, July 7, 2010
HEATWAVE
Wikipedia says there is no universal definition of a HEATWAVE, but that it is generally considered one if there are several consecutive days of excessive heat and humidity.
I GOOGLED "HEATWAVE, the music" and came up with Irving Berlin's song by that title. I thought there was another newer song by that title with a lot of drum breaks and twangy guitars, but that never came up, so I think this is the one and only. Irving Berlin said:
"We're having a heat wave, a tropical heatwave.
The temperature's rising, it isn't surprising
She certainly can can-can.
She started a heatwave, by letting her seat wave
In such a way that The customers say that
She certainly can can-can.
See, her anatomy - Makes the mercury
Jump to 93.
We're having a heatwave, a tropical heatwave.
The way that she moves
The thermometer proves
That she certainly can can-can."
Irving Berlin certainly had a way with words and apparently a sense of humor.
But in this heat - don't wave your seat around too much. Pour yourself a nice tall ice tea and sit where it's cool with your CD player and a good book, your knitting , or a crossword puzzle. That is a perfect prescription for staying cool, stimulating your mind - music does wonderful things for the brain - and relaxing.
If you own a newer and larger Lowrey organ, you may have an instrument called Django. Do you know anything about it? Skip the next few lines if you do. If you don't ---read on:
Django Reinhard was one of the greatest guitarists of all time. He had only two fingers on his left hand. He was a European Gypsy, married very young to a girl who made paper flowers and decorations. At age 18, coming into their trailer after an evening of playing guitar, he knocked over a candle into her supplied and the trailer went up in flames. He was pulled to safety, but was burned over much of his body. He lost his fingers in that conflagration, as well as the use of one leg. The doctors wanted to amputate that limb but he refused. After a period of recovery his brother, also a guitarist gave him a new guitar and he proceeded to rehabilitate himself. He struggled but succeeded in becoming an outstanding guitarist with that special sound that you will find on the newer high end Lowrey Organs. I don't care much for it, but then I am not a guitarist.
Whether you strum a guitar, play a keyboard, or play a reed or brass instrument, keep a song in your heart and keep the music playing.
jem
I GOOGLED "HEATWAVE, the music" and came up with Irving Berlin's song by that title. I thought there was another newer song by that title with a lot of drum breaks and twangy guitars, but that never came up, so I think this is the one and only. Irving Berlin said:
"We're having a heat wave, a tropical heatwave.
The temperature's rising, it isn't surprising
She certainly can can-can.
She started a heatwave, by letting her seat wave
In such a way that The customers say that
She certainly can can-can.
See, her anatomy - Makes the mercury
Jump to 93.
We're having a heatwave, a tropical heatwave.
The way that she moves
The thermometer proves
That she certainly can can-can."
Irving Berlin certainly had a way with words and apparently a sense of humor.
But in this heat - don't wave your seat around too much. Pour yourself a nice tall ice tea and sit where it's cool with your CD player and a good book, your knitting , or a crossword puzzle. That is a perfect prescription for staying cool, stimulating your mind - music does wonderful things for the brain - and relaxing.
If you own a newer and larger Lowrey organ, you may have an instrument called Django. Do you know anything about it? Skip the next few lines if you do. If you don't ---read on:
Django Reinhard was one of the greatest guitarists of all time. He had only two fingers on his left hand. He was a European Gypsy, married very young to a girl who made paper flowers and decorations. At age 18, coming into their trailer after an evening of playing guitar, he knocked over a candle into her supplied and the trailer went up in flames. He was pulled to safety, but was burned over much of his body. He lost his fingers in that conflagration, as well as the use of one leg. The doctors wanted to amputate that limb but he refused. After a period of recovery his brother, also a guitarist gave him a new guitar and he proceeded to rehabilitate himself. He struggled but succeeded in becoming an outstanding guitarist with that special sound that you will find on the newer high end Lowrey Organs. I don't care much for it, but then I am not a guitarist.
Whether you strum a guitar, play a keyboard, or play a reed or brass instrument, keep a song in your heart and keep the music playing.
jem
Saturday, July 3, 2010
JUST MUSIC
I was going over the blogs from the past and discovered I had two drafts - one of which was "JUST MUSIC" . Apparently I never did post it, so I will rewrite it and post tonight.
This is Saturday, July 3, 2010. It would be my 52nd wedding anniversary if my husband were still alive. I suppose whether he is here or not, it is still my 52nd anniversary. Oh, well. no sense sitting her supposing - 1958 is a long way back in the past. One think I learned early into our marriage, getting hitched on a holiday weekend is not a good idea. You pay double for hotels if you can get into one at all, and you can't get a sitter for your kids because they all have their own holiday agenda.
I have three absolutely great kids, wonderful children-in-law, sis grand children and four great grand children. They don't care much about my music - that's o.k. I probably don't care much for theirs - I don't even know what they like. I just hope they all like some kind of music because it does provide all sorts of benefits: passes time pleasantly, keeps the mind nimble, gives us rhythm in our steps and binds us to people of like mindedness. Everything else fades when one is wrapped up in his/her music.
This past week Joanie Manero of Lowrey Organ Company, Regional Sales Manager for the east coast (including one of the Dakotas and Arizona - somebody flunked geography while they were excelling in organ!). Joanie did two workshops at the dealer, Starbird Music Mall in Portland, and then after a pot luck lunch, came to my home and did a workshop for Joyce and me. We are both Prestige owners and the dealer does not have one in stock. When you are entertained as well taught there is nothing to complain about.
It was a wonderful day in my book. I am optimistic that the organ program in Portland is alive and well and growing once again.
I purchased two new books lately. Both are fake books - easy fake books to be specific. They are written entirely in the key of C which eliminates the necessity of dealing with all those little little sharps and flats at the beginning of the pieces. The difference between fake books and the EZ-Play format is smaller notes, slightly more - and more difficult - chords and some pieces have interesting embellishments. The music is not as challenging as conventional sheet music, the traditional fake books, or the music I have purchased from O'lyn Callahan. It is pure enjoyment, turn-the-page music. I love it.
The Gospel Fake Book has a lot of good old gospel music, some I am familiar with but having been brought up in a Congregational Church, hardly the music of MY childhood.
The other recent purchase is a great Latin Fake Book. I spent nearly two hours today quite leisurely working on some of those sambas, rumbas, tangos and bossas. The nice thing about music at this age is no one is timing you or telling you what you are doing wrong. No parent reminding you you haven't been there long enough. Or telling you the notes are sour. There are benefits to being old.
A lot of Latin music was written by Antonio Carlos Jobim, aka Tom Jobim. He was born in Rio de Janeiro in 1927. He married and had children, but he moved to New York (I suppose, after all, that was where all the action was) and worked with Sinatra, Fitzgerald, Stan Getz and many other American musicians. Among his compositions - he was a key figure in the development of the bossa nova - were (American titles) Meditation, SLsilghtly Out of Tune, Quiet Nights of Quiet Stars, The Girl From Ipanema, How Insensitive, and one of my favorites, Wave. Most if not all of them are in the Latin Fake Book.
IF it weren't for composers like Jobim we might never have been exposed to the great Latin rhythms. If you watch Dancing With The Stars you know how they have become a standard in all forms of music.
Keep a song in your heart and keep the music playing.
Janice
This is Saturday, July 3, 2010. It would be my 52nd wedding anniversary if my husband were still alive. I suppose whether he is here or not, it is still my 52nd anniversary. Oh, well. no sense sitting her supposing - 1958 is a long way back in the past. One think I learned early into our marriage, getting hitched on a holiday weekend is not a good idea. You pay double for hotels if you can get into one at all, and you can't get a sitter for your kids because they all have their own holiday agenda.
I have three absolutely great kids, wonderful children-in-law, sis grand children and four great grand children. They don't care much about my music - that's o.k. I probably don't care much for theirs - I don't even know what they like. I just hope they all like some kind of music because it does provide all sorts of benefits: passes time pleasantly, keeps the mind nimble, gives us rhythm in our steps and binds us to people of like mindedness. Everything else fades when one is wrapped up in his/her music.
This past week Joanie Manero of Lowrey Organ Company, Regional Sales Manager for the east coast (including one of the Dakotas and Arizona - somebody flunked geography while they were excelling in organ!). Joanie did two workshops at the dealer, Starbird Music Mall in Portland, and then after a pot luck lunch, came to my home and did a workshop for Joyce and me. We are both Prestige owners and the dealer does not have one in stock. When you are entertained as well taught there is nothing to complain about.
It was a wonderful day in my book. I am optimistic that the organ program in Portland is alive and well and growing once again.
I purchased two new books lately. Both are fake books - easy fake books to be specific. They are written entirely in the key of C which eliminates the necessity of dealing with all those little little sharps and flats at the beginning of the pieces. The difference between fake books and the EZ-Play format is smaller notes, slightly more - and more difficult - chords and some pieces have interesting embellishments. The music is not as challenging as conventional sheet music, the traditional fake books, or the music I have purchased from O'lyn Callahan. It is pure enjoyment, turn-the-page music. I love it.
The Gospel Fake Book has a lot of good old gospel music, some I am familiar with but having been brought up in a Congregational Church, hardly the music of MY childhood.
The other recent purchase is a great Latin Fake Book. I spent nearly two hours today quite leisurely working on some of those sambas, rumbas, tangos and bossas. The nice thing about music at this age is no one is timing you or telling you what you are doing wrong. No parent reminding you you haven't been there long enough. Or telling you the notes are sour. There are benefits to being old.
A lot of Latin music was written by Antonio Carlos Jobim, aka Tom Jobim. He was born in Rio de Janeiro in 1927. He married and had children, but he moved to New York (I suppose, after all, that was where all the action was) and worked with Sinatra, Fitzgerald, Stan Getz and many other American musicians. Among his compositions - he was a key figure in the development of the bossa nova - were (American titles) Meditation, SLsilghtly Out of Tune, Quiet Nights of Quiet Stars, The Girl From Ipanema, How Insensitive, and one of my favorites, Wave. Most if not all of them are in the Latin Fake Book.
IF it weren't for composers like Jobim we might never have been exposed to the great Latin rhythms. If you watch Dancing With The Stars you know how they have become a standard in all forms of music.
Keep a song in your heart and keep the music playing.
Janice
Saturday, June 26, 2010
GLOW WORM
Welcome to MusicLIFE
I had no inspiration at all this week. And then it happened.
I went to put my dog out in the evening and the yard was full of what we always called
"lightening bugs". I had actually seen one earlier in the week. I went to put the dog out late at night. There was a bug on the screen and not wanting to let it into the house, I flicked my finger against the screen. The bug fell off and landed on it's back. AND IT FLASHED ME! Tonight I went out again, with the dog, and was admiring the moon which is somewhere near full. I saw the dog nervously looking around and realized the yard was flickering with "lightening bugs." Now, the only song I have ever heard that might apply is "Glow Worm" - but are lightening bugs glow worms? Yes, indeed they are the same. Only the female glows. Isn't Wikipedia wonderful? If you want to know more about those luminous creatures just Google them. If you're as old as I am, you will remember catching them in a mayonnaise jar. They smell awful if you touch them with your fingers. Anyway, speaking of remembering, if you want a nice video about the way things used to be go to "www.closeyoureyes.wmv" . You will get some other videos, but if you scroll down a bit you will find the one I mean. It begins with an ad for "Duck Hunt" but stay there a few seconds and some reminders will come up along with some nice music.
Back to "GLOW WORM" ~ the song we know is an adaptation of the 1908 song from the German operetta "Lysistrata", and the Broadway musical "The Girl Behind the Counter". The original words were by Lilla Carley Robinson and the modern words were by Johnny Mercer. The music adaptation is by Paul Lincke.
Several performers have used it including the Mills Brothers and Spike Jones. The Hal Leonard Publishing Co. has it in EZ-Play Bks. #32, 33,138, 183, 231, 264. Dennis Awe has also put it in some of his collections. It's a fun piece to play, and now when you play it you will know it is not a "he-bug" lighting up for his love, but a little "she-bug" just happily flitting about.
I got a fake book of Gospel songs this week. I only recognized a few of the songs, which tells you something about my religious background. We sang "Jesus Loves Me, This I Know" and "Tell Me The Stories of Jesus" and Christmas Carols. I like the Gospels. They have a lot of rhythm and a lot of joy in them for the most part. I am looking forward to playing them both at home at when I "play out." There is one piece called "Would He, Could He, Did He" which has a wonderful beat. That's my musical goal for this week. Stay tuned! If I ever get the capability of putting sound in my blog, I might just make that my first piece. Meanwhile -
Keep a song in your heart and keep the music playing.
jem
I had no inspiration at all this week. And then it happened.
I went to put my dog out in the evening and the yard was full of what we always called
"lightening bugs". I had actually seen one earlier in the week. I went to put the dog out late at night. There was a bug on the screen and not wanting to let it into the house, I flicked my finger against the screen. The bug fell off and landed on it's back. AND IT FLASHED ME! Tonight I went out again, with the dog, and was admiring the moon which is somewhere near full. I saw the dog nervously looking around and realized the yard was flickering with "lightening bugs." Now, the only song I have ever heard that might apply is "Glow Worm" - but are lightening bugs glow worms? Yes, indeed they are the same. Only the female glows. Isn't Wikipedia wonderful? If you want to know more about those luminous creatures just Google them. If you're as old as I am, you will remember catching them in a mayonnaise jar. They smell awful if you touch them with your fingers. Anyway, speaking of remembering, if you want a nice video about the way things used to be go to "www.closeyoureyes.wmv" . You will get some other videos, but if you scroll down a bit you will find the one I mean. It begins with an ad for "Duck Hunt" but stay there a few seconds and some reminders will come up along with some nice music.
Back to "GLOW WORM" ~ the song we know is an adaptation of the 1908 song from the German operetta "Lysistrata", and the Broadway musical "The Girl Behind the Counter". The original words were by Lilla Carley Robinson and the modern words were by Johnny Mercer. The music adaptation is by Paul Lincke.
Several performers have used it including the Mills Brothers and Spike Jones. The Hal Leonard Publishing Co. has it in EZ-Play Bks. #32, 33,138, 183, 231, 264. Dennis Awe has also put it in some of his collections. It's a fun piece to play, and now when you play it you will know it is not a "he-bug" lighting up for his love, but a little "she-bug" just happily flitting about.
I got a fake book of Gospel songs this week. I only recognized a few of the songs, which tells you something about my religious background. We sang "Jesus Loves Me, This I Know" and "Tell Me The Stories of Jesus" and Christmas Carols. I like the Gospels. They have a lot of rhythm and a lot of joy in them for the most part. I am looking forward to playing them both at home at when I "play out." There is one piece called "Would He, Could He, Did He" which has a wonderful beat. That's my musical goal for this week. Stay tuned! If I ever get the capability of putting sound in my blog, I might just make that my first piece. Meanwhile -
Keep a song in your heart and keep the music playing.
jem
Friday, June 18, 2010
Fish gotta swim, birds gotta fly ---
The Broadway Show I chose to do this morning at the radio station was Showboat. As I was listening to the lyrics I thought it would be an excellent theme song for the Gulf rescue operation. "Fish gotta swim, birds gotta fly,
I gotta do my best so they won't die, Can't help trying to save our Gulf. --
Crabs gotta crawl, Dolphins gotta play, They need clean salt water every night and day. Can't help trying to save our Gulf. I'm here to stay, 'til the oil's gone away, ---" well I can't think of any more words but you get the idea.
SHOWBOAT is a wonderful American story. It was adapted from the book by Edna Ferber in 1921 by Oscar Hammerstein II and Jerome Kern. The opening night of the show, the audience was seemingly unresponsive. The applause was scattered, laugh lines barely got a chuckles. At intermission, when the producers, directors, and other interested people usually keep an ear open for comments, the patrons were largely silent as they mingled in the lobby. Quite naturally everyone connected with the show was downhearted. Commonly after shows people go to late dinners, to bars and private parties where they discuss and critique the performance and performers. Amazingly, the papers the following day had rave revues. The audience was so overwhelmed by the social statement, the open dialog, as well as the music, they were fairly speechless until they had time to assimilate it. The plans went into high gear to make movie - a silent movie, of course, which would have the performers live to the voice-over. They spent a whopping $25,000 to put the wheel in motion. Then - "talkies" happened and the plans had to be remade. NOw the cost was going to $125,000 plus percentages for everyone involved. Music was rewritten, songs that didn't seem to work were deleted, new songs were composed to pick up the pace. Backtracking a bit, Ms. Ferber did not think it would work because her book spans 60 years. She felt it could not be far too long, and of course, she was right. So they adapted the story line to compact it. That was all in the 1920's. It was remade in 1951 and starred Katherine Grayson, Howard Keel, Ava Gardner. Marge and Gower Champion were the dance team. I think it is time to remake this colorful story with today's enhanced sound and color capabilities. Who would you cast in the leading roles?
Dennis Awe, or maybe his sister DyAnne, made a medley of SHowboat music. It is fun to play as the mood of the music changes. There are a lot of songs in the movie version that are not in that arrangement, and still it is quite lengthy. I personally do not play those "showcase" pieces because there are a number of people eager to play and I don't want to take up too much time.
O'lyn Callahan also has a showboat medley. Hal Leonard has EZ Play versions of the separate selections. NO matter which might chose to play, you will have fun with them Jerome Kern got the music just right to convey the moods.
Remember the words - "...I can be happy, I can be sad ..." Chose you music to fit your feelings, but keep a song in your heart and keep the music playing.
jem
I gotta do my best so they won't die, Can't help trying to save our Gulf. --
Crabs gotta crawl, Dolphins gotta play, They need clean salt water every night and day. Can't help trying to save our Gulf. I'm here to stay, 'til the oil's gone away, ---" well I can't think of any more words but you get the idea.
SHOWBOAT is a wonderful American story. It was adapted from the book by Edna Ferber in 1921 by Oscar Hammerstein II and Jerome Kern. The opening night of the show, the audience was seemingly unresponsive. The applause was scattered, laugh lines barely got a chuckles. At intermission, when the producers, directors, and other interested people usually keep an ear open for comments, the patrons were largely silent as they mingled in the lobby. Quite naturally everyone connected with the show was downhearted. Commonly after shows people go to late dinners, to bars and private parties where they discuss and critique the performance and performers. Amazingly, the papers the following day had rave revues. The audience was so overwhelmed by the social statement, the open dialog, as well as the music, they were fairly speechless until they had time to assimilate it. The plans went into high gear to make movie - a silent movie, of course, which would have the performers live to the voice-over. They spent a whopping $25,000 to put the wheel in motion. Then - "talkies" happened and the plans had to be remade. NOw the cost was going to $125,000 plus percentages for everyone involved. Music was rewritten, songs that didn't seem to work were deleted, new songs were composed to pick up the pace. Backtracking a bit, Ms. Ferber did not think it would work because her book spans 60 years. She felt it could not be far too long, and of course, she was right. So they adapted the story line to compact it. That was all in the 1920's. It was remade in 1951 and starred Katherine Grayson, Howard Keel, Ava Gardner. Marge and Gower Champion were the dance team. I think it is time to remake this colorful story with today's enhanced sound and color capabilities. Who would you cast in the leading roles?
Dennis Awe, or maybe his sister DyAnne, made a medley of SHowboat music. It is fun to play as the mood of the music changes. There are a lot of songs in the movie version that are not in that arrangement, and still it is quite lengthy. I personally do not play those "showcase" pieces because there are a number of people eager to play and I don't want to take up too much time.
O'lyn Callahan also has a showboat medley. Hal Leonard has EZ Play versions of the separate selections. NO matter which might chose to play, you will have fun with them Jerome Kern got the music just right to convey the moods.
Remember the words - "...I can be happy, I can be sad ..." Chose you music to fit your feelings, but keep a song in your heart and keep the music playing.
jem
Monday, June 14, 2010
A MULLIGAN PLEASE ~
I NEED A DO -OVER, PLEASE
I missed the boat completely this week. Today, the 14th of June, is Flag Day.
In these uncertain times it would be remiss of me to neglect this special day honoring our country's standard.
For more than 200 years the Stars and Stripes with (with a star for every state)
has been our national symbol. In recent years it has been desecrated by those who would scorn it's representation of Purity (white) Blue (vigilance) and Red (valor). It was in 1776 that Betsy Ross reported she had sewed the first American flag.
I believe every school child should salute the flag daily. But then, I still think children should be exposed to a moment of thoughtful devotion every day. I believe the words to the Star Spangled Banner should be regularly sung and other patriotic songs should be a part of the assembly programs and music classes across the country.
What is more inspiring than the aspect of a red,white and blue flag waving "o'er the land of the free and the home of the brave"? or "You're a Grand Old Flag ..you're a high flying flag" ~ "There's a star spangled banner waving somewhere..."
This is my country, land that I love ....
This land is your land, this land is my land ....
If these songs are not taught in school I hope the Boy and Girl Scout leaders are using them around the camp fire. (Do they still do campfires?)
Since my purpose is to encourage music at every opportunity, I might suggest our group - and yours - have a patriotic music event. It would certainly be inspiring.
Please, keep the flag waving, keep a song in your heart and keep the music playing.
thanks for the do-over. jem
I missed the boat completely this week. Today, the 14th of June, is Flag Day.
In these uncertain times it would be remiss of me to neglect this special day honoring our country's standard.
For more than 200 years the Stars and Stripes with (with a star for every state)
has been our national symbol. In recent years it has been desecrated by those who would scorn it's representation of Purity (white) Blue (vigilance) and Red (valor). It was in 1776 that Betsy Ross reported she had sewed the first American flag.
I believe every school child should salute the flag daily. But then, I still think children should be exposed to a moment of thoughtful devotion every day. I believe the words to the Star Spangled Banner should be regularly sung and other patriotic songs should be a part of the assembly programs and music classes across the country.
What is more inspiring than the aspect of a red,white and blue flag waving "o'er the land of the free and the home of the brave"? or "You're a Grand Old Flag ..you're a high flying flag" ~ "There's a star spangled banner waving somewhere..."
This is my country, land that I love ....
This land is your land, this land is my land ....
If these songs are not taught in school I hope the Boy and Girl Scout leaders are using them around the camp fire. (Do they still do campfires?)
Since my purpose is to encourage music at every opportunity, I might suggest our group - and yours - have a patriotic music event. It would certainly be inspiring.
Please, keep the flag waving, keep a song in your heart and keep the music playing.
thanks for the do-over. jem
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